On November 12, 2018, Stan Lee, born Stanley Martin Lieber, passed away.
He almost made it to the 100 years mark.
I had the chance to meet Stan Lee in Lucca, twenty-five years ago, long before the main italian comic con became the "sponsored chinese sideshow" of today (copyright: Maurizio Caschetto).
He was promoting the Marvel 2099 line of comics and he talked to a relatively small but enthusiastic audience about how Marvel Comics were more scientifically sound than DC's.
He used to love Superman, for instance, because in the beginning he could leap across great distances thanks to his superior strength, and that was somewhat acceptable.
But then he just flew, with no reason whatsoever.
Whereas Thor does not fly. Thor rotates his hammer until it has enough momentum, then throws it and just exploits the pull of the hammer to fly ("Now, THAT's scientific!" he would joke).
Or he would tell about how puzzled he was when his assistant informed him that some "Mr. Felony" was there to meet him and about his surprise when he discovered it was none other than italian film director Federico Fellini.
I was but an 8th grader and listened in awe.
When asking (and getting) his autograph, my dear friend Alessandro Minoggi and I showed him the opening splash-page of a Spidey story we made, in our first attempt to create proper comics (on decent artist's board and using rapidographs). He smiled and nodded approvingly, which made us feel like a million dollar.
To the 13-years-old me, the avuncular Stan Lee seemed rather grandfatherly and I would not have thought back then that a quarter century later he would still be such a felt a presence in comicdom.
He leaves behind a great legacy, albeit a problematic one.
His passing, curiously not much later than Spider-Man co-creator Steve Ditko's, signifies the definitive end of an era, although it probably won't shift much the conversation among fans and historians about who should get what credit for the creation of the characters and stories that, still to this day, constitute the foundations of the so-called Marvel Universe.
He almost made it to the 100 years mark.
I had the chance to meet Stan Lee in Lucca, twenty-five years ago, long before the main italian comic con became the "sponsored chinese sideshow" of today (copyright: Maurizio Caschetto).
He was promoting the Marvel 2099 line of comics and he talked to a relatively small but enthusiastic audience about how Marvel Comics were more scientifically sound than DC's.
He used to love Superman, for instance, because in the beginning he could leap across great distances thanks to his superior strength, and that was somewhat acceptable.
But then he just flew, with no reason whatsoever.
Whereas Thor does not fly. Thor rotates his hammer until it has enough momentum, then throws it and just exploits the pull of the hammer to fly ("Now, THAT's scientific!" he would joke).
Or he would tell about how puzzled he was when his assistant informed him that some "Mr. Felony" was there to meet him and about his surprise when he discovered it was none other than italian film director Federico Fellini.
I was but an 8th grader and listened in awe.
When asking (and getting) his autograph, my dear friend Alessandro Minoggi and I showed him the opening splash-page of a Spidey story we made, in our first attempt to create proper comics (on decent artist's board and using rapidographs). He smiled and nodded approvingly, which made us feel like a million dollar.
To the 13-years-old me, the avuncular Stan Lee seemed rather grandfatherly and I would not have thought back then that a quarter century later he would still be such a felt a presence in comicdom.
He leaves behind a great legacy, albeit a problematic one.
His passing, curiously not much later than Spider-Man co-creator Steve Ditko's, signifies the definitive end of an era, although it probably won't shift much the conversation among fans and historians about who should get what credit for the creation of the characters and stories that, still to this day, constitute the foundations of the so-called Marvel Universe.
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