Showing posts with label michael chabon. Show all posts
Showing posts with label michael chabon. Show all posts

Monday, 8 April 2019

Will Eisner

Recently visited the Will Eisner exhibit at the BSC in Brussels.

My companion during the visit was the always nice Steven De Rie, who was warned by some fellow cartoonist not to expect much from the exhibition, since most of the samples  came from a single private collection.

I ignore what kind of show this other cartoonist expected, but the exhibit was really well done.
Sure there was a relatively little from The Spirit to see (only a handful of splash-pages) but the selections form the master's later works such as Dropsie Avenue, The Name of the Game or A Contract with God were substantial and diverse (not to mention practically the complete The Dreamer, a book that holds a very special place in my heart).

The pieces were accompanied by large panels of commentaries from the curators and some printed magazines froma all over the world.
If any criticism can be made about the exhibition is the scarcity of prep material such as sketches and/or scripts (it would have been interesting to see how the Spirit stories were plotted, scripted and then realized, especially beacuse the process involved other artists or writers).

Some more photographs may have helped too and it would have been great to have a screen or two playing excerpts from the various Eisner docs that DO exist.

Anyway, this should not be missed by any comic book lover who has the chance to visit Brussels or its surroundings.

The exhibition lasts until March the 2nd 2014. Entrance fee is 8 euros, but it buys the access to the whole museum (which is always worth the price)

PS: very very very nice chit-chat with Steven De Rie after the visit about all things comics. 










Tuesday, 19 April 2016

Spidey, Lee, Kirby, Chabon, factoids and pics

I didn't know about this interesting story appeared in the New York Post

Long story short: Spider-Man name and outfit could have been inspired by an Halloween costume produced by the company Ben Cooper, Inc.

Nobody actually claims it and it could be a bit of a stretch, but there are some clues that make this theory fascinating.

1) The outfit has a webbed motif, and the mask presents a spider-web centered between the two holes for the eyes.

2) The name Spider-Man was printed on the suit

3) The model was discontinued by the company, who replaced it in their catalog with an actual licensed Spider-Man costume, the first licensed Spider-man product (or maybe even Marvel's first licensed product) in early 1963, long before Spider-Man reached popularity.

4) In his book The Silver Age of Comic Book Art Arlen Schumer claims that the creation of the Hulk may have been the popularity of the Frankenstein 1961 toy, which displayed a green-skinned creature on the box (hence the mandate to color Hulk green, instead of its original grey) - This as well is an assumption, not supported by any evidence, but if true, it reinforce the idea that Marvel was not shy of picking up ideas and trends from toy producers

I must stand with Ditko, who rebuts the "accusations" (if we can call them) and says that clippings alone do not equal proof. Besides, Spider-Man suit design, however unusual, is very much in line with other Ditko stuff.

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On the theme of creatorship and credit, I discovered Michael Chabon has written a short story about two ageing comic book creators, who essentially are a thinly-disguised fictional version of Lee and Kirby.

I haven't read the story... yet.

More on it soon.

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It was John Romita's idea to kill Gwen Stacy.

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This Supergirl illustration is beautiful.